At first glance, “Topway” appears to be a kaleidoscope of hues, with layers upon layers of vibrant pigments creating a sense of movement and depth. Gabori’s use of bold, expressive brushstrokes infuses the canvas with energy, inviting the viewer to embark on a visual journey through the landscape of her imagination.

The central motif of “Topway” is a meandering river, depicted in shades of blue and green that shimmer and dance across the canvas. This river serves as a lifeline for Gabori’s people, providing sustenance and spiritual nourishment for generations. Its sinuous path reflects the natural contours of the land, echoing the cyclical rhythms of life and renewal that have sustained Indigenous communities for millennia.

Surrounding the river are clusters of abstract forms that evoke the diverse ecosystems of Gabori’s homeland. Splashes of red and orange suggest the fiery brilliance of the outback, while swaths of yellow and ochre evoke the sun-drenched plains. Each brushstroke is imbued with meaning, representing not only the physical features of the landscape but also the cultural traditions and spiritual beliefs that have shaped Gabori’s identity as an Indigenous woman.

One of the most striking aspects of “Topway” is Gabori’s use of aerial perspective, which imbues the painting with a sense of vastness and expansiveness. From high above, the viewer can survey the entire landscape, taking in the sweeping vistas and intricate details that unfold beneath them. This perspective invites contemplation and reflection, encouraging viewers to consider their own relationship to the land and the interconnectedness of all living beings.

In addition to its aesthetic beauty, “Topway” also carries profound cultural significance for Gabori’s people. Through her art, Gabori seeks to preserve and celebrate the rich heritage of the Kaiadilt people, whose traditional lands encompass the islands of Bentinck, Sweers, and Mornington in the Gulf of Carpentaria. By depicting the landscape with such reverence and reverence, Gabori pays homage to the resilience and strength of her ancestors, who have maintained a deep spiritual connection to the land despite centuries of dispossession and marginalization.

In conclusion, “Topway” is a testament to the power of art to transcend boundaries and communicate across cultures. Through her bold use of color, form, and symbolism, Mirdidingkingathi Juwarnda Sally Gabori invites viewers to immerse themselves in the beauty and complexity of her ancestral land, forging connections that transcend language and geography. In doing so, she reminds us of the importance of honoring and preserving Indigenous knowledge and traditions for future generations.